Carol

Jun 3, 2016 — During the second incarnation of this festival dedicated to movies preserved on nitrate film, Jared Case, the festival’s executive director, talks about his work bringing the Nitrate Picture Show to life, selecting this year’s films, and why nitrate remains a...

Mar 18, 2016 — For the past thirty years, the British Film Institute has been honoring the best in contemporary and classic LGBT cinema from around the world, with its annual BFI Flare: London LGBT Film Festival. In celebration of the festival’s three-decade anniversary...

Jan 13, 2016 — In Bitter Rice, Giuseppe De Santis focused his lens on the world of Italy’s female rice workers, for a story that’s part social commentary, part pulp melodrama—and introduced the world to a dazzling young actress named Silvana Mangano.

Jan 7, 2016 — This month, the Boston Museum of Fine Arts is hosting the series Words in Motion: Graham Greene as a Screenwriter, celebrating the British author’s important contribution to the medium.

Nov 24, 2015 — Our new release of In Cold Blood, Richard Brooks’s chilling 1967 true-crime masterpiece, features an interview with film critic and jazz historian Gary Giddins, who offers a wonderfully illuminating examination of legendary record producer Quincy Jones’s music for the film....

Oct 16, 2015 — Beginning this Saturday, BBC Radio 4 will be unearthing some of cinema’s buried treasures in a series called Unmade Movies.

Jun 17, 2015 — From a shrewd adaptation by André Gregory and Wallace Shawn, Jonathan Demme fashions a visually inventive dreamscape out of an Ibsen classic.

Jun 4, 2015 — Rainer Werner Fassbinder stocked the cast of The Merchant of Four Seasons with friends and colleagues from his experimental theater days.

May 13, 2015 — Cannes is complicated. To the first-time visitor, it seems a blur of parties, dinners, and screenings, and wherever you are, you are constantly troubled by the thought that the really hot screening or the really hip party is happening elsewhere.

Dec 10, 2014 — Social satire, women’s melodrama, queer metaphor, or horror movie? Todd Haynes’s elusive masterpiece is all of these and none of them.