Article 370

May 31, 2017 — Long difficult to see, this transgressive silent masterpiece draws on a wide range of aesthetic influences to push against the boundaries of film form.

May 17, 2017 — Welcome to the first entry of the Daily at the Criterion Collection. For those of you who don’t know me, since 2003 I’ve been gathering links to essential—or simply fun—reading, news stories, and items of interest into a sort of...

May 5, 2017 — Did You See This? To celebrate the centennial birthday of iconic French actor Danielle Darrieux, Dan Callahan has written an ode to her breathtaking work in the films of Max Ophuls and Jacques Demy. Of her performance in The Earrings...

Apr 7, 2017 — Did You See This? Radley Metzger, the erotica pioneer who took soft core and hard core to new heights of artistry, has passed away at the age of eighty-eight. The New York Times remembers the director’s career, which began in...

Apr 7, 2017 — Filmmaker Brock DeShane pays heartfelt tribute to Jack H. Harris, the late cult-horror maestro who produced low-budget sensations like The Blob and Equinox.

Mar 28, 2017 — In his first English-language feature, Michelangelo Antonioni examines the elusiveness of the real through the lens of a murder mystery.

Mar 1, 2017 — In his most seductive experiment with cinematic time, Richard Linklater wrestles with the joys and challenges of long-term intimacy.

Feb 24, 2017 — Did You See This? In an excerpt from his new book This Young Monster, Charlie Fox considers the “fearsome lucidity” of Rainer Werner Fassbinder: “There were no signs of a drooling id let loose or canny subterfuge between his public...

Feb 23, 2017 — An elder statesman of independent filmmaking, Samuel Fuller spun his newsroom and frontline experiences into his movies, developing a unique cinematic voice that was always raw and personal.

Feb 17, 2017 — Did You See This? In a wide-ranging and moving new interview with online film magazine Bright Wall/Dark Room, Guillermo del Toro discusses the political power of art, the election of Donald Trump, and the way that film “exists in a...