A Last Note

Dec 19, 2019 — Lists (of course), but also philosophical surveys, biographies, and coffee table books are featured in this month’s round.

Nov 14, 2019 — Curators Richard Peña and Livia Bloom Ingram bring nine “under the radar” titles by independent American filmmakers to the Cinémathèque française.

Aug 27, 2019 — In the run-up to Venice, Telluride, and Toronto, New York announces its retrospective and revivals.

Aug 13, 2019 — As Toronto’s full lineup nears completion, New York looks to expand upon “our notions of what the moving image can do and be.”

Jun 28, 2019 — This week’s highlights include an oral history of one of Kubrick’s most challenging sequences and reviews of the latest works from Béla Tarr and Paul Thomas Anderson.

May 6, 2019 — Greta Garbo, Anita Loos, Ernst Lubitsch, Ben Hecht, and Salka Viertel cross paths in this month’s round.

Apr 3, 2019 — This month’s round features Dalí’s Marx Brothers movie, Bergman family drama, Welles’s unpublished play, and more.

Mar 12, 2019 — By dint of perseverance, Harold Lloyd, the modest son of Burchard, Nebraska, became the prince of Hollywood, California, where he lived the Horatio Alger dream. His life and his memorable films alike echo Alger’s theme of young men who apply...

Apr 20, 2018 — Let’s catch up with the new issue of cléo journal, this one dedicated entirely to the work of Agnès Varda. When the journal launched five years ago, it took its name from Varda’s 1962 classic, Cléo from 5 to 7....

Apr 20, 2018 — “Although her oeuvre to date is wide-ranging,” writes Melissa Anderson at 4Columns, Claire Denis’s “most celebrated films are those that probe, usually elliptically, the legacy of French colonial rule in Africa, as seen in Chocolat (1988), her semiautobiographical debut feature;...