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May 19, 2020 — The range was remarkable, but the projects Piccoli selected and the directors he chose to work with are what make his body of work essential.

May 18, 2020 — It’s hard to imagine Hollywood without Frances Marion. The story of the screenwriter’s career is entwined with the story of Hollywood itself, from its pioneer days to the Golden Age. Part of Marion’s skill as a writer was how her...

May 18, 2020 — The beloved stalwart of the Seattle filmmaking community and accomplished director of high-profile television series was only fifty-four.

May 15, 2020 — Directors, actors, and critics look back on their most memorable moments in movie theaters, and the BFI spotlights the best of Japanese cinema.

May 14, 2020 — Restoration Spotlight I was just coming of age as a moviegoer when digital video hit the big screens, around the turn of the twenty-first century. At the time, I remember being every bit as entranced by the gritty horror of...

May 14, 2020 — Sorely missing the festival this year, filmmakers and critics swap memories and reflections.

May 11, 2020 — This week’s round comes loaded with lists: 100 novels about cinema, fifty novelizations, and dozens of Sheila O’Malley’s favorite biographies.

May 11, 2020 — One Scene Over the course of four features and several shorts, Brooklyn-based documentary filmmaker Matt Wolf has mined the histories hidden in archives, stitching together a rich and complicated view of twentieth-century America. He’s drawn to subjects that are misunderstood...

May 8, 2020 — More highlights include a dossier on Hong Sang-soo, a letter from Apichatpong Weerasethakul, and Barry Jenkins’s conversation with the young stars of Never Rarely Sometimes Always.

May 8, 2020 — The opening and closing credits in a film are a form of housekeeping, fulfilling a legal obligation to compile the names of cast and crew who made the final product possible. Visionary designer Saul Bass saw the aesthetic potential in...