The Criterion Collection
Feb 20, 2017 — Joan Crawford delivers one of her greatest performances in Michael Curtiz’s unsparing look at class, ambition, and the all-consuming intensity of maternal love.
Dec 13, 2016 — John Huston’s meticulously calibrated crime film combines nail-biting suspense with a mood of Chekhovian regret.
Sep 1, 2016 — Balancing epic scale with lyrical intimacy, Orson Welles inflects the spirit of Shakespeare’s history plays with his own zest for cinematic invention.
May 12, 2016 — When director Amy Heckerling visited Criterion, she reflected on her days as a struggling filmmaker, the allure and disappointment of moving to the West Coast, and her love for old-Hollywood actors.
Nov 5, 2015 — Julien Duvivier’s early sound films offer emotionally rich explorations of life in prewar France.
Essays
Oct 21, 2015 — Masaki Kobayashi takes on broken vows and the unreality of the past in his sensual and spooky four-part adaptation of Lafcadio Hearn’s Japanese folktales.
Jan 12, 2015 — The author remembers the late filmmaker.
Oct 25, 2013 — "I“m not acting,” stage star Myrtle Gordon (Gena Rowlands) tells her bemused director after a violent episode with her ghostly muse in Opening Night. That’s a loaded claim to be making in a movie that so conclusively smudges the line...
Mar 12, 2013 — Working in America, German master Fritz Lang contributed to the anti-Nazi effort with this nightmarish, surreal tale of espionage.
Dec 11, 2012 — Philip Glass’s experimental operas and symphonic works of the 1960s and ’70s laid the groundwork for his hypnotic Qatsi scores.