The Criterion Collection
Nov 12, 2019 — The Daytrippers came out in theaters in 1997, back when I was in graduate school at NYU. That was a year when you could rent videotapes everywhere—at Blockbuster, but also at a Laundromat or a bodega. There were still phone booths...
Features
Jul 10, 2019 — En route to the Czech Republic’s Karlovy Vary Film Festival in the summer of 2006, I stopped off for some sightseeing in Prague. Having dutifully made the rounds of the city’s hopping tourist spots, I retreated to my bare-bones hotel...
Criterion Designs
May 9, 2019 — Studio Visits You’d be hard-pressed to find someone more passionate about movie posters, not to mention gifted at making them, than Nashville-based artist and musician Sam Smith. A lifelong cinephile and devotee of design history—today he even cohosts a podcast...
Features
May 2, 2019 — “To begin with, Gone with the Wind is a woman’s story . . . Mr. Cukor, one of Hollywood’s finest directors and the man who has directed Hepburn and Garbo in some of their best, is known as a woman’s...
Mar 1, 2019 — Claire Simon begins her new documentary The Competition with a shot of young filmmakers chatting outside the locked gates of La Fémis, the most prestigious film school in France, patiently awaiting an opportunity to be judged by a panel of...
The Daily
Dec 21, 2018 — New issues of Senses of Cinema and cléo this week, but also healthy seasonal doses of anxiety and lamentation.
The Daily
Dec 10, 2018 — Alfonso Cuarón’s latest scores best film awards from critics’ groups in Los Angeles, Chicago, San Francisco, Philadelphia, and Toronto.
In Theaters
Nov 22, 2018 — Celebrate Thanksgiving with one of the grimmest and grimiest comedies of the eighties, Bruce Robinson’s beloved Withnail and I.
The Daily
Sep 28, 2018 — Elisabeth Moss steers a ’90s-era rock band towards self-immolation.
In Theaters
Sep 6, 2018 — Repertory Picks Tomorrow, as part of its stalwart Summer Double Features series, New York City’s recently reopened Film Forum will give the big-screen treatment to a pair of strange—but strangely fitting—bedfellows: John Waters’ Female Trouble and Leonard Kastle’s The Honeymoon...