The Criterion Collection
Jul 19, 2017 — “Yvonne Rainer stands as one of the most influential choreographers of the past fifty-plus years,” begins Melissa Anderson in the Village Voice. “In 1962 she co-founded the Judson Dance Theater, that exalted wellspring of experimental movement; a decade later, she...
Dec 9, 2015 — With Jellyfish Eyes, Takashi Murakami’s creature feature made in the aftermath of Japan’s 2011 earthquake and nuclear crisis, the international art superstar brings his transcultural vision to the lineage of artist-filmmaker crossovers.
Dec 5, 2005 — If there is a skeleton key to François Truffaut’s oeuvre, it is this film, in which all of his assorted gifts and preoccupations are in play and meshed into a uniquely idiosyncratic whole.
Essays
Sep 18, 2000 — Drenched in mud and rain, Lars von Trier’s breakthrough film inhabits a true twilight zone, bereft of heroes and integrity.
Jun 22, 2026 — Deep Dives In 1971, upon the release of his first and only feature film, James Bidgood pulled a disappearing act. He had spent the better part of seven years shooting Pink Narcissus, a hallucinatory tale of a daydreaming gay hustler, on...
The Daily
Jan 24, 2025 — We’re sampling new issues of Notebook, Senses of Cinema, and 032c and reading about Eisenstein and Charlotte Zwerin.
Mar 18, 2022 — With a collection of her films now available on the Criterion Channel, the director behind Still Processing discusses the radically personal nature of her work.
The Daily
May 28, 2020 — One of Fassbinder’s most beloved and abused performers, Hermann broke away and relaunched a lauded career.
Aug 23, 2018 — The director of Computer Chess and Support the Girls finds in John Cassavetes a surrealist whose weirdest set pieces could make David Lynch blush.
The Daily
Jan 24, 2018 — Deadline’s Patrick Hipes reports that NEON has just picked up North American rights to Three Identical Strangers, while CNN Films retains U.S. broadcast rights. “Tim Wardle’s documentary looks back at a human-interest story that captivated the world in the early...