Sisu

Dec 7, 2016 — Three decades after her concert film Home of the Brave, multimedia artist Laurie Anderson returned to the big screen with her 2015 sophomore feature, Heart of a Dog. In this visually intricate, sonically haunting nonfiction work, Anderson’s grief over the...

Dec 6, 2016 — This elegiac meditation on impermanence showcases Laurie Anderson’s playfully experimental approach to sound and image.

Dec 5, 2016 — A biting satire of bourgeois frivolity, the 1962 surrealist masterpiece The Exterminating Angel is one of Spanish auteur Luis Buñuel’s most macabre creations. In this follow-up to the scandalous, Palme d’Or–winning Viridiana, Silvia Pinal and an ensemble of Buñuel regulars...

Nov 30, 2016 — Today, we’re celebrating the seventy-third birthday of one of American cinema’s most lyrical and enigmatic storytellers. Over the course of more than four decades, Terrence Malick has established a distinctive aesthetic that juxtaposes the majestic beauty of nature with the...

Nov 25, 2016 — In his deeply personal third feature, Noah Baumbach charts a family’s dissolution against the backdrop of 1980s literary Brooklyn.

Nov 25, 2016 — Just in time for Black Friday, two cinematic masters playfully pillory consumerism for our weekly double feature: Yasujiro Ozu’s Good Morning (1959) and Jacques Tati's Mon oncle (1958). But these wildly different virtuosos mount opposite attacks, Ozu sweetly funny in...

Nov 22, 2016 — I don’t do psychoanalysis, I do cinema. —Athina Rachel TsangariThis week, over on the Criterion Channel, we’re kicking off Meet the Filmmakers, an exclusive new series of encounters with directors we’re excited to champion. For each program, we’ve enlisted a...

Nov 22, 2016 — The result of a notoriously troubled production, Marlon Brando’s unorthodox western presents a brooding vision of human futility.

Nov 22, 2016 — This month, we’ve brought two new Criterion editions to the United Kingdom: Akira Kurosawa’s Dreams, a visually sumptuous showcase of the Japanese master at the height of his imaginative powers, and Punch-Drunk Love, Paul Thomas Anderson’s deliriously eccentric take on...

Nov 18, 2016 — Artists across all mediums have long been obsessed with the challenge of evoking dream states, but film—with its oneiric combinations of light and shadow, and its ability to manipulate time and space—has particularly uncanny access to our nighttime reveries. Whether...