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Self Song/Death Song

May 25, 2012 Did You See This? • Meet the man behind the music for Wes Anderson's movies • Capra, Ford, Huston, Wilder—now on envelopes • Bordwell charts the digital transition • Belmondo! Vitti! Delon! A classic Cannes photo album • Polanski at...

May 23, 2012 Iranian master director Abbas Kiarostami voyaged to Italy to make a film that questions love, relationships, and Western art cinema.

May 22, 2012 These five films chart the unlikely ascendance of a hero of American underground cinema.

May 15, 2012 Circumlocutory critic Perkus Tooth sits down with a very patient Spike Jonze to talk gerunds and colons.

May 11, 2012 We spread the word about Larisa Shepitko, one of the true visionaries of Soviet cinema, when we released two of her incredible films in 2008, but she remains an under-the-radar figure for most movie lovers. By 1979, when she was...

May 8, 2012 These thoughts on La haine by director Costa-Gavras first appeared in the program book for the 2006 Toronto International Film Festival, where the film was screened. La haine is a phenomenon, in that it is an abnormal, a surprising, and...

Apr 25, 2012 Pearls of the Deep: Alumni AssociationIn the mid-1960s, there was a brief window during which a remarkable cinema of ideas and visual experimentation flourished in Communist Czechoslovakia. This fecund period lasted approximately five years, from 1963 to 1968, when it...

Apr 24, 2012 Among the most widely seen photographs of Hollis Frampton is one of him as a young man, a self-portrait taken in 1959, if we are to trust the narration he composed to accompany its inclusion in his 1971 film (nostalgia)....

A Lecture

Features

Apr 24, 2012 With a projector, a screen, some red cellophane, a pipe cleaner, and this script, you can re-create this performance piece by Hollis Frampton.

Apr 17, 2012 Maybe it is something to do with the sensual seductiveness of cinema: as new-millennium Americans, we care nothing for Japa­nese poetry, little for Japanese painting and fiction, and certainly too much for Japanese cartoons, and yet Yasujiro Ozu, the least...

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