Dec 10, 2013 In 1998, I interviewed Little Edie Beale, the surviving star of 1976’s Grey Gardens, one of the Maysles brothers’ numerous masterworks (Gimme Shelter, Meet Marlon Brando, and With Love from Truman are equal in technical and emotional innovation). Miss Beale,...

Nov 18, 2013 When Tokyo Story was released in late 1953, Western audiences were just being exposed to Japanese cinema. Akira Kurosawa had made his breakthrough with Rashomon three years earlier, and Kenji Mizoguchi was moving to the forefront of the international festival...

Nov 12, 2013 Noah Baumbach and Greta Gerwig create a luminous, romantic portrait of a young woman looking for fulfillment in New York City.

Oct 24, 2013 In John Cassavetes’s personal cinema, the director was always trying to break away from the formulas of Hollywood narrative, in order to uncover some fugitive truth about the way people behave. At the same time, he took seriously his responsibilities...

Oct 23, 2013 If there’s one quality that separates John Cassavetes’s movies from almost everybody else’s, it’s the density of detail in the storytelling. His films need to be read closely, from beginning to end. There are no lulls with Cassavetes, no lapses...

Oct 15, 2013 Georges Franju’s masterpiece is the most chilling expression in cinema of our ancient preoccupation with the nature of identity.

Sep 25, 2013 Roberto Rossellini’s tale of modern sainthood demonstrates the importance of opening oneself to the wider world.

Sep 18, 2013 This chapter about director Richard Linklater’s beginnings, from the 1996 book Spike, Mike, Slackers & Dykes: A Guided Tour Across a Decade of American Independent Cinema, is by the former producer’s representative, creator and host of IFC’s Split Screen, and...

Sep 10, 2013 Martin Ritt’s 1965 movie of John le Carré’s first great novel (and first best seller), The Spy Who Came in from the Cold, declares “a plague on all your houses” to capitalists, Communists, and ruthless intelligence operatives. It’s one espionage...

Aug 19, 2013 This moving drama about gender, race, and class in 1960s Kolkata is a pioneering work from Satyajit Ray.

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