The Criterion Collection
Jan 2, 2017 — With the debut of Me and You and Everyone We Know on the Criterion Channel, the acclaimed multi-hyphenate discusses her evolving creative process and her love of Jane Campion.
In Theaters
Dec 22, 2016 — Repertory PicksIf you’re in Vancouver for the holidays, stop by the Cinematheque for the theatrical version of Ingmar Bergman’s Fanny and Alexander, which screens as part of the weeklong series Essential Cinema! Essential Big Screen! Seen through the eyes of...
Dec 21, 2016 — Garrett Brown in our kitchen reenacting a Steadicam-shot scene from Blow Out In 1975, the cameraman Garrett Brown revolutionized filmmaking technology with the Steadicam, an invention that brought together the agility and immediacy of a handheld camera with the smoothness and...
Dec 13, 2016 — John Huston’s meticulously calibrated crime film combines nail-biting suspense with a mood of Chekhovian regret.
Dec 6, 2016 — This elegiac meditation on impermanence showcases Laurie Anderson’s playfully experimental approach to sound and image.
On the Channel
Dec 6, 2016 — Photo by Janet Pierson In the late eighties and early nineties, American independent film was coming into its own both artistically and commercially, and John Pierson was at the center of the movement. Once described by the New York Times...
Nov 28, 2016 — PerformancesAny paean to noir seductress nonpareil Gloria Grahame—mine included—can’t hope to surpass this encomium from Boyd McDonald, one of her most ardent and articulate devotees. Saluting Grahame’s performance in In a Lonely Place (1950) in his essential 1985 compendium, Cruising...
On the Channel
Nov 22, 2016 — I don’t do psychoanalysis, I do cinema. —Athina Rachel TsangariThis week, over on the Criterion Channel, we’re kicking off Meet the Filmmakers, an exclusive new series of encounters with directors we’re excited to champion. For each program, we’ve enlisted a...
Essays
Nov 22, 2016 — The result of a notoriously troubled production, Marlon Brando’s unorthodox western presents a brooding vision of human futility.
Nov 16, 2016 — The joy of new love collides with the anxieties of everyday life in Paul Thomas Anderson’s off-kilter foray into romantic comedy.