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Production Resumes

The Daily

Sep 24, 2020 Taking all the necessary precautions, Paul Thomas Anderson, Jacques Audiard, and Paolo Sorrentino are back at work.

Jul 3, 2020 One Scene By 2008, Olivier Assayas was perhaps best known as a director of fraught, emotionally intense, experimentally structured thrillers such as Irma Vep (1996), demonlover (2002), and Boarding Gate (2007), so the contemplative quiet of the feature he released...

Jun 30, 2020 A nonverbal man sits on a bench on a village street. With his hands, he tells the story of his village. His hands say that all of the villagers were herded together into a barn. His hands say that the...

Jun 15, 2020 The eye contact, the exhilarating anxiety of sharing private tastes, the power of knowing what you want and summoning up the courage to ask for it: in case you can’t tell, I’m talking about the once-upon-a-time experience of renting a...

Jan 3, 2020 The director of Margaret and Manchester by the Sea celebrates Hollywood’s greatest humanist, whose films are featured in a series now playing on the Criterion Channel.

Aug 31, 2018 And a pillar of American film criticism falls.

Jun 13, 2018 Can a screenwriter influence—even change—the course of film history? With his script for Rashomon (1950), Shinobu Hashimoto, who turned 100 this year, did just that. The film launched its director—Akira Kurosawa—to world fame and brought international audiences to the glory...

Apr 27, 2018 A survey of the films in this year’s Cannes competition lineup and predictions of what will take home the top prize.

Chicago 2017

The Daily

Oct 12, 2017 The Chicago International Film Festival opens tonight with Reginald Hudlin’s Marshall and runs through October 26, when it closes with Guillermo del Toro’s The Shape of Water, which won the Golden Lion in Venice (reviews).“Some biopics go for sweeping and...

Oct 6, 2017 Back when Projections was still called “Views from the Avant-Garde,” the New York Film Festival described its program as a “yearly touchstone for experimental film.” Now neither of those terms—“avant-garde” and “experimental”—are quite broad enough to encompass all that goes...

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