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Jan 28, 2025 — The first of eight collaborations between actor James Stewart and director Anthony Mann centers on a prize rifle that ends up being both a magical object and a cursed one, sending every man who possesses it to a doomed fate.

Jan 24, 2025 — We’re sampling new issues of Notebook, Senses of Cinema, and 032c and reading about Eisenstein and Charlotte Zwerin.

Jan 23, 2025 — In the run-up to the forty-first edition, critics have been writing up lists of their most-anticipated films.

Jan 23, 2025 — While Jacques Audiard’s Emilia Pérez takes the lead, the Academy has popped a few surprises.

Jan 21, 2025 — Lynchian may be impossible to define, but you know it when you see it.

Jan 21, 2025 — In his first Hollywood film, British director Stephen Frears dives into the nihilistic world of Jim Thompson’s fiction, delivering an adaptation profoundly attuned to the novelist’s sense of ineluctable suffering.

Jan 17, 2025 — Featured this week are Frank Capra, Michael Roemer, John Ford, Djibril Diop Mambéty, and Rainer Werner Fassbinder.

Jan 16, 2025 — Long considered lost, Fujisawa’s Bye Bye Love screens at Metrograph with two Teshigahara classics.

Jan 15, 2025 — Edward Berger’s improbably entertaining follow-up to All Quiet on the Western Front (2022) scores twelve.

Jan 14, 2025 — In this digressive, intensely interior masterpiece, Jean Eustache mines the dramas of his past romances while also capturing the disillusionment of young Parisians in the aftermath of May 1968.