The Criterion Collection
The Daily
Jul 9, 2024 — Both Columbia Pictures and Marcello Mastroianni turn 100 this year, and Locarno and Venice are set to celebrate.
The Daily
Jul 8, 2024 — The other big winner in Karlovy Vary is Lilja Ingolfsdottir, whose Loveable takes home five awards.
The Daily
Jun 28, 2024 — Alain Guiraudie and Angela Schanelec discuss their new films, Albert Serra opens an exhibition, and Paul Schrader gets ranked.
Jun 19, 2024 — A masterpiece from the golden age of Mexican cinema, Emilio Fernández’s film is a prime example of the cabaretera film, an offshoot of the popular “prostitute melodrama” genre.
The Daily
Jun 11, 2024 — Every screening in this sin-ridden program will be introduced by an esteemed film historian.
Essays
Jun 11, 2024 — A radically strange, postmodern adaptation of a novel by Jean Genet, Rainer Werner Fassbinder’s final film is grounded by a sweaty, seething, meaty eroticism—a confrontational sexuality that remains bracing.
The Daily
Jun 4, 2024 — A doc on the Brat Pack, a new feature from Joel Potrykus, and an animated trip to Mars are among this year’s highlights.
The Daily
May 17, 2024 — We’re reading about Chris Marker and Hiroshi Shimizu and listening to conversations from Cannes.
May 14, 2024 — Despite the harsh critical drubbing it received upon its release in 1960, Michael Powell’s lurid tale of obsession and violence is now widely regarded as a masterpiece—and as a key inspiration for an entire subgenre of “slasher” movies.
The Daily
May 10, 2024 — Horace Ové’s Pressure opens, Víctor Erice and Pedro Costa exchange ideas, and GQ presents an oral history of Go.