So Can I

May 17, 2024 — We’re reading about Chris Marker and Hiroshi Shimizu and listening to conversations from Cannes.

May 16, 2024 — Does it measure up? For most reviewers, the answer is a resounding yes—but there are a few outliers.

May 10, 2024 — Horace Ové’s Pressure opens, Víctor Erice and Pedro Costa exchange ideas, and GQ presents an oral history of Go.

May 1, 2024 — Films by Horace Ové, Menelik Shabazz, John Akomfrah, Isaac Julien, and more depict Black lives in a tumultuous era.

Apr 24, 2024 — This month brings a collection of Chantal Akerman’s writing, analyses of Ozu and Kubrick, and list of the best Hollywood books ever.

Apr 19, 2024 — Revivals of work by Frank Borzage, Ken Loach, and David Fincher are among this week’s highlights.

Apr 16, 2024 — Unfolding in elaborately choreographed long takes, this sublime adaptation of László Krasznahorkai’s novel The Melancholy of Resistance captures the weight of time and the mood of fascism with a haunting palpability.

Apr 11, 2024 — Anticipation builds for new work from Jia Zhangke, Francis Ford Coppola, Andrea Arnold, and David Cronenberg.

Apr 10, 2024 — Heading into its final weekend, the festival presents new work from Singapore, Serbia, Brazil, China, Iran, Georgia, and Taiwan.

Apr 9, 2024 — In Steven Zaillian’s eight-episode series, Andrew Scott gives us what many find to be the definitive Tom Ripley.