Good

Mar 4, 2016 — Over the past half century, production designer Jack Fisk has created some of cinema’s most memorable on-screen worlds—from the farmlands of early-twentieth-century Texas to the byways of contemporary Los Angeles.

Feb 23, 2016 — Without any overt topical references, Mike Nichols’s The Graduate captured the zeitgeist of the 1960s and the dawning countercultural revolution.

Feb 19, 2016 — The filmmaker, who began his career as a stage director and designer before shifting his focus to movies, swung by for a chat about his new film and his lifelong affinity for the macabre.

Feb 16, 2016 — In Death by Hanging, Nagisa Oshima spins a complex aesthetic web around his documentary-like structure, packing detail, history, politics, and emotion into his surrealist inquiry into capital punishment.

Feb 9, 2016 — Jan Troell’s narration of one Swedish couple’s arduous journey to America portrays the migratory quality of marriage—of “finding that you think of this person who is not you, or this place that is not the land of your birth, as...

Jan 21, 2016 — In Gilda, Charles Vidor’s “violent, sexual, chaotic” noir, the director focused on Rita Hayworth’s skills as an actor and a dancer, eliciting a performance that became iconic in its own right and made her an international superstar.

Jan 19, 2016 — Inside Llewyn Davis takes its protagonist on a Hero’s Journey of characteristically Coen-esque proportions—a voyage at turns serious and comic, and framed by an exquisitely curated selection of folk melodies.

Jan 12, 2016 — In German filmmaker Wim Wenders’s high-strung thriller, adapted from two Patricia Highsmith novels, Dennis Hopper plays sociopathic con man Tom Ripley as a “hopped-up elf from hell” who works his charms on a winsome and guileless Bruno Ganz.

Jan 7, 2016 — At the gala for the New York Film Critics Circle’s 2016 awards dinner Criterion president Peter Becker accepted an award on behalf of his father, Criterion cofounder William Becker. His remarks are reproduced here.

Dec 9, 2015 — With Jellyfish Eyes, Takashi Murakami’s creature feature made in the aftermath of Japan’s 2011 earthquake and nuclear crisis, the international art superstar brings his transcultural vision to the lineage of artist-filmmaker crossovers.