The Criterion Collection
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May 20, 2025 — Cannes 2025: Sirāt and Two Prosecutors emerge as critical favorites, while Nouvelle Vague finds both champions and detractors.
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Dec 6, 2024 — Richard Linklater and James Benning revisit Godard’s Breathless and Wim Wenders looks back on Paris, Texas.
Oct 8, 2024 — Though it received dismissive reviews upon its release, this chillingly nihilistic horror film has since influenced such masters as Alfred Hitchcock and Jacques Rivette with its low-budget evocation of anxiety and indeterminacy.
The Daily
Jun 21, 2024 — We open with an Italian neorealist classic, steer through ’70s-era paranoia, and wrap with a blast of gnarly rock ’n’ roll.
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May 22, 2024 — Critics in Cannes warmly welcome Rumours, Christmas Eve in Miller’s Point, and Eephus.
The Daily
Oct 25, 2023 — What, awards season already? All of Us Strangers leads with four, followed by Past Lives and A Thousand and One, with three each.
Mar 18, 2022 — With a collection of her films now available on the Criterion Channel, the director behind Still Processing discusses the radically personal nature of her work.
May 11, 2021 — Dorothy Arzner’s deeply cynical portrait of marriage exemplifies the director’s ambivalence toward the norms dictating female behavior, wielding ironic detachment to mask one woman’s simmering inner turmoil.
Apr 20, 2021 — 1. “I Felt Nothing” In September 2019, about halfway between claiming the Palme d’Or at Cannes in May and earning multiple Oscar nominations in January 2020, Bong Joon Ho’s Parasite was briefly upstaged by a movie from the director’s past....
Feb 9, 2021 — What does parallax mean? It is a term that English speakers are perpetually learning and always forgetting. Leopold Bloom, in Ulysses: “Parallax. I never exactly understood . . . Par it’s Greek: parallel, parallax.” In the technical sense, the word...