The Class

Sep 7, 2017 — Joe Wright (Atonement) will direct Casey Affleck in Andrew Bovell’s adaptation of John Williams’s 1965 novel Stoner, reports Variety’s Justin Kroll. “The movie will follow the life of William Stoner, a dirt-poor farmer turned academic, who emerges as an unlikely...

Aug 31, 2017 — As part of a Marlon Brando series, the UC Berkeley Art Museum and Pacific Film Archive screens the film that won the actor his first Oscar, Elia Kazan’s On the Waterfront.

Jun 20, 2017 — At the dawn of sound cinema, French theater titan Marcel Pagnol immortalized his epic vision of his native Provence in three exquisite humanist dramas.

May 31, 2017 — Director Terry Zwigoff shares his own musical taste in this article about how he went about selecting songs to underscore the deadpan tone of his cult comedy Ghost World.

Mar 6, 2017 — To commemorate the anniversary of the late Polish master’s birth this week, critic Michał Oleszczyk pays tribute to his mercurial style, urgent political themes, and sly evasion of the censors.

Feb 23, 2017 — Few writers have dissected their own coming-of-age with as much unflinching honesty as award-winning author Mary Karr, whose best-selling books include The Liar’s Club and Lit: A Memoir. For the latest installment in our original series Adventures in Moviegoing, now...

Nov 2, 2016 — The morning after opening his first theater in Brooklyn, Alamo Drafthouse cofounder stopped by Criterion to chat about his life as a collector

Oct 20, 2016 — On the ninety-ninth anniversary of Jean-Pierre Melville’s birth, we’ve gathered a selection of essays, photos, and videos that showcase the best of the iconic director’s varied oeuvre.

May 17, 2016 — Juxtaposing a vision of a stark, primitive existence on a remote Japanese island with that country’s vast twentieth-century modernization, Kaneto Shindo reveals Japan’s postwar paradoxes and makes a case for its essential, immutable character.

Apr 26, 2016 — “It is not an exaggeration to say that before Primary, documentary as we know it today—the art of candid observation—didn’t exist,” writes Thom Powers.