Our Story

Dec 5, 2012 — The following is excerpted from an interview that originally appeared in the February 1, 1981, issue of L’avant-scène: Cinéma. It was conducted by Olivier Eyquem and Jean-Claude Missiaen. Eyquem is a documentalist and former staff member at Positif; he blogs...

Dec 5, 2012 — In René Clément’s sparkling but menacing anti-noir, the Mediterranean setting is as seductive as Alain Delon’s baby blues.

Dec 4, 2012 — Misunderstood by Hollywood, embraced by critics, this fatalistic fantasy remains Terry Gilliam’s ultimate trip.

Nov 20, 2012 — For a brief, shining moment, the genteel Japanese studio mutated into a fun house of grim ghouls and slimy aliens.

Nov 13, 2012 — Rejecting the orientalism of other adaptations, Pier Paolo Pasolini’s take on the classic tales is humane and erotic.

Oct 16, 2012 — After breaking out with Maria Full of Grace, filmmaker Joshua Marston visited a strange new land with persistent and deadly traditions.

Sep 25, 2012 — No mere jigsaw movie, David Fincher’s thriller is also a nuanced character study, a satire of corporate culture, and a film about filmmaking.

Sep 20, 2012 — The following is excerpted from a 1990 audio interview that originally appeared on the Criterion Collection’s laserdisc edition of Children of Paradise. It was conducted by the late Brian Stonehill, who was a communications and media studies professor at Pomona...

Sep 4, 2012 — Umberto D. is perhaps the most astringent film ever made about a poor old man and his dog. Critics today tend to like the astringent parts: the long, deliberately undramatic sequences full of mundane activity (such as a housemaid’s morning...

Aug 30, 2012 — In the 1960s, Mailer, already a literary legend, was inspired by the avant-garde film movement to take a stab at his own, anti-Warholian underground cinema.