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May 20, 2017 — “If he hadn’t already laid claim to the title of king of the cringe-inducing confrontation and nabob of the nervous laugh with the withering Force Majeure, Ruben Östlund truly anoints himself with The Square, an excoriating razor-burn of a movie...

May 19, 2017 — Let’s open today’s round of interviews with one from the archives, a conversation with Michelangelo Antonioni that originally ran in Corriere della Sera in 1982 but evidently took place during the final stages of shooting Blow-Up (1966). It’s been translated...

May 18, 2017 — “Todd Haynes’s films, intellectually rigorous and often profoundly moving, are fractured stories in which alienated, beautiful characters try to find love (or a certain likeness) in the delicate folds of real life,” begins David Ehrlich at IndieWire. “All of this...

May 18, 2017 — Before turning to events happening in various cities, let’s note that the Seventh Art Stand carries on through the end of the month. It’s “a nationwide screening and discussion series presented by 50+ theaters, museums, and community centers in more...

May 18, 2017 — Repertory PicksTonight, summertime comes early to Des Moines, as the city’s Fleur Cinema presents a free screening of Ingmar Bergman’s 1955 Smiles of a Summer Night. After a succession of box-office failures, and facing romantic and financial turmoil in his...

Where Were We?

The Daily

May 17, 2017 — Welcome to the first entry of the Daily at the Criterion Collection. For those of you who don’t know me, since 2003 I’ve been gathering links to essential—or simply fun—reading, news stories, and items of interest into a sort of...

May 11, 2017 — Chantal Akerman’s audacious narrative features and intimate documentaries forever changed the way we experience the rhythms of everyday life on-screen. In her most widely acclaimed masterpiece, Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles, she captured the quiet anxiety underlying...

May 2, 2017 — It was a cold January morning, with biting winds coming off the Seine, when I stopped by the Librairie du Cinéma du Panthéon during a break from working on our upcoming release of Marcel Pagnol’s Marseille Trilogy. This film-specialty bookstore...

Apr 27, 2017 — 1. As I began work on The Kennedy Films of Robert Drew and Associates, I knew that 1960’s Primary was really the birth of what we think of as the modern documentary: observational photography based on access to an interesting subject, presenting...

Apr 21, 2017 — Did You See This? With its startling mix of tones and genres, Jonathan Demme’s 1986 Something Wild captures the destabilizing experience of falling in love. Kim Morgan looks back on this “moody, transgressive, genre-bending, weirdly romantic (and unromantic)” comedic thriller...

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