Back To Search

Naruto Shippuden the Movie

Jul 14, 2009 Tough title to live up to. The lofty three-word phrase Al Reinert chose for his 1989 documentary on the Apollo space program comes from the plaque the first men on the moon, Neil Armstrong and Buzz Aldrin, left there in...

Jul 1, 2009 Almost thirty years have gone by since Wallace Shawn and André Gregory sat down for dinner on the Upper West Side and talked (and talked) their way into film history. So for our new special edition DVD of that encounter,...

May 6, 2009 Götz Spielmann’s tour de force dark tragedy Revanche has received a slew of great notices, but we’re particularly partial to Ella Taylor’s highly perceptive examination of the new Janus release on NPR’s website, where she zeros in on the characters’...

Jan 19, 2009 In 1929, a fifty-one-year-old Congregationalist pastor named Lloyd C. Douglas published his first novel. It was a ramshackle sort of book, at its core an undiluted Christian sermon on the life-transforming power of charitable works. But it was a sermon...

Nov 27, 2008 A genuine cause célèbre, adapted from Romain Gary’s 1970 nonfiction novel, Samuel Fuller’s late work is an unusually blunt and suggestively metaphoric account of American racism.

Bottle Rocket

Essays

Nov 23, 2008 Wes Anderson made a film without a trace of cynicism, one that obviously grew out of his affection for his char­acters in particular and for people in general.

Nov 16, 2008 Chungking Express (1994) was the Masculin féminin of the 1990s, a pop-art movie about cool twentysomethings looking for love in the city that has replaced Paris as the center of the world-cinema imagination. What Jean-Luc Godard did for “the children...

Nov 9, 2008 “Though the Maysles are best known for their hippie-era music docs Monterey Pop and Gimme Shelter, as well as the opaque weirdness of Grey Gardens from 1975, Salesman stands as the movie where they really found their voice as leading...

Jul 21, 2008 Carl Theodor Dreyer’s elliptical and dreamlike vampire film defies definitive shots at interpretation.

Jul 21, 2008 Akira Kurosawa’s modern adaptation of an American thriller represents a departure from his usual themes and stylistic choices.

Current Page
166
of 466

You have no items in your shopping cart