Apr 6, 2009 Paris is turning into Tativille starting tomorrow, April 8, until August 2, with the Cinémathèque française’s appropriately large-scale retrospective of the famously ambitious French filmmaking legend’s work, “Jacques Tati, deux temps, trois movements.” Curated by Stéphane Goudet and Macha Makeïeff,...

Apr 2, 2009 The new 35 mm print of Costa-Gavras’s Academy Award–winning Z, struck for the fortieth anniversary of the film in a joint effort by Janus Films and Rialto Pictures, is opening today at Los Angeles’s Nuart Theater. In an interview with...

Mar 27, 2009 Thanks to IFC Daily’s David Hudson for tipping us off to a couple of top-notch articles this week marking the fiftieth anniversary of the French New Wave. That’s right, it was fifty years ago, in May to be precise, that...

Mar 23, 2009 The most crowd-pleasing film of François Truffaut’s latter career is also one of his most personal, drawing from his memories of the German occupation of France, his schoolboy years and his lifelong infatuation with the creative arts.

Mar 18, 2009 Writer, critic, and film lecturer Teruyo Nogami also served as one of Akira Kurosawa’s principal assistants. Hired as script supervisor on 1950’s Rashomon, Nogami went on to work on all of Kurosawa’s subsequent films, later chronicling their unique relationship in...

Mar 16, 2009 This long-underappreciated giant of Japanese cinema was an innovative visual stylist and a born storyteller who preferred to make films about outsiders.

Mar 5, 2009 Starting this Sunday, March 8, the Harvard Film Archive will devote a week of programming to the groundbreaking work of Agnès Varda with the series Ciné-Varda. The “grandmother of the New Wave” will appear in person at a handful of...

Feb 5, 2009 “Around the time that the KKK rode to victory in The Birth of a Nation (1915), Al Jolson applied burned cork to his face in The Jazz Singer (1927), and scores of African-American actors bowed, scraped, shucked, and jived in...

Jan 22, 2009 I’ve fulfilled a dream to become a part of the Criterion family. Criterion has helped to preserve not only the films I grew up with but also the ones I’m now trying to keep up with. Picking ten is worse...

Jan 22, 2009 Last fall the Criterion Collection and Janus Films joined forces to acquire a first-run film for theatrical distribution—a rare move for two companies best known for handling the classics of cinema history. Revanche, both an existential thriller and a quiet,...

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