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Nov 4, 2022 — Aubrey Plaza has received critical acclaim for her performances in Emily the Criminal, Happiest Season, The White Lotus, Black Bear, and Ingrid Goes West. Her upcoming projects include Guy Ritchie’s Operation Fortune and Francis Ford Coppola’s Megalopolis.

Nov 3, 2022 — Wolf Kino invites filmmakers, writers, and curators to host screenings of six films by Rainer Werner Fassbinder.

Nov 2, 2022 — While the Wexner Center surveys her career, TCM’s podcast tells the full life story of Pam Grier.

Nov 2, 2022 — The director of Samson and Delilah and Sweet Country discusses his formative artistic encounters, his eclectic professional background, and on-screen Indigenous representation.

Nov 1, 2022 — In one of the most incendiary and formally experimental films of the Czechoslovak New Wave, two mysterious young women uncover humanity’s endless potential for revolt.

Nov 1, 2022 — A film of rich colors, mournful silences, and haunting symmetries, Wong Kar Wai’s masterpiece is a meticulously constructed memory box that invites fetishistic dissection.

Nov 1, 2022 — The independent publisher launches a two-volume collection and a film series in New York.

Oct 31, 2022 — As James Gray’s latest feature arrives in theaters, critics focus on the treatment of his surrogate’s Black best friend.

Oct 28, 2022 — The role of the vampire has given talented actors throughout film history—from Bela Lugosi to Catherine Deneuve—the chance to embody physical and moral extremity.

Oct 28, 2022 — Iranian cinema, the history of horror, and malevolent conspiracies are on our minds this week.