The Criterion Collection
Jun 14, 2016 — Alexander Hall’s 1941 film showcased Robert Montgomery’s star power and, with its premise of a death revoked, provided much-needed comic relief to war-worried audiences.
Interviews
Oct 16, 2014 — This past August, on the occasion of Volker Schlöndorff’s being selected for a Silver Medallion award by the Telluride Film Festival, Criterion’s Peter Becker talked with the German filmmaker about his long career. A short version of the conversation was...
Aug 21, 2012 — Andrew Haigh’s boy-meets-boy story reminds us that the biggest pleasures of falling in love come from the little moments of connection.
Oct 23, 2010 — In 1945, a teenage Stanley Kubrick was given a job as staff photographer at Look magazine, where he published more than nine hundred striking images, most of them in the realist style of New York School street photography. By the...
Jun 23, 2010 — “Wittily written and spare as a coded message . . . The year’s most perilous ride . . . , we wouldn’t exchange it for a season’s commutation ticket on most of the similar vehicles running out of Hollywood.” So...
Interviews
Apr 27, 2010 — From left: Marlon Brando, Maureen Stapleton, Tennessee Williams, and producer Richard Shepherd, on the set of The Fugitive Kind. It was Jules Stein, head and founder of MCA, who plucked Richard Shepherd out of Stanford and made him into a real...
Essays
Jul 14, 2008 — Linguistic cosmopolitanism in the Babel-like world of commerce and culture is one of Jacques Tati’s several satirical targets.
Jan 22, 2007 — Forget the Beatles vs. Elvis: for me the world is divided into Karloff people and Lugosi people, and I’m in the Karloff clique. Bela Lugosi’s oversize mannerisms and thickly accented drawl have always seemed camp to me, while Boris Karloff’s...
The Daily
Oct 31, 2022 — As James Gray’s latest feature arrives in theaters, critics focus on the treatment of his surrogate’s Black best friend.
Jan 14, 2021 — Herman Mankiewicz—a washed-up Hollywood screenwriter writing the first draft of Orson Welles’s 1941 biopic about William Randolph Hearst—may seem an unlikely hero for a 2020 biopic. He is rarely remembered today outside of cinephile circles, but in telling his story,...