The Criterion Collection
Jan 25, 2019 — This week features major new resource on The Magnificent Ambersons, Godard’s allusions, and Ilya Khrzhanovsky’s multimedia extravaganza.
The Daily
Jan 23, 2019 — Checking in on how the nominees are currently faring with critics and awards prognosticators.
The Daily
Jan 17, 2019 — SXSW presents a program of 102 features and episodics, and the Berlinale’s competition and Special lineups are now complete.
In Theaters
Jan 17, 2019 — Repertory Picks Today, at 7 p.m., the Maxwell Theatre at Georgia’s Augusta University will play host to Whit Stillman’s The Last Days of Disco (1998), following afternoon screenings of the two other comedies, Metropolitan (1990) and Barcelona (1994), that make...
The Daily
Jan 16, 2019 — Unquiet is the first of Linn Ullmann’s books to directly address her parents. Plus, the criticism of Rivette and Bazin, a radio campaign led by Welles, and more.
Essays
Jan 15, 2019 — In Notorious (1946), love assumes different shapes and presentations—as a wound, a weapon, a promise, a curse. For Ingrid Bergman as the lusciously complex and raw-nerved Alicia Huberman, it’s all these things. As the film begins, Alicia is on the...
The Daily
Dec 19, 2018 — The star of one of the biggest sitcoms in the 1970s directed three major hit films in the late ’80s and early ’90s.
The Daily
Dec 17, 2018 — Also, directors discuss their craft, and critics carry on listing the best films of 2018.
Dec 14, 2018 — “It’s sad to say, but women do not have much importance in westerns,” observed Anthony Mann, a master of the genre, in a 1957 Cahiers du cinéma interview. Made that same year, Samuel Fuller’s Forty Guns begins with a whopper...
Dec 12, 2018 — Selection to the registry ensures that “these films will be preserved for all time.”