In Our Day

Nov 27, 2010 — The New Jersey resort town of Atlantic City provides the backdrop for two distinctive films made at opposite ends of the seventies: Bob Rafelson’s 1972 The King of Marvin Gardens and Louis Malle’s Atlantic City, released in 1981. That decade...

Sep 26, 2010 — The Thin Red Line, arguably the greatest war film ever made, ended two decades of silence from Terrence Malick, cinema’s wandering auteur. The silence wasn’t entirely self-imposed, since during this time he tried to launch a few productions—including a tale...

Dec 1, 2009 — This nonfiction masterwork by David and Albert Maysles and Charlotte Zwerin is a terrifying snapshot of the sudden collapse of the sixties.

Sep 6, 1999 — The subject of loneliness and the observation of the isolated person has always interested me. Even as a child, I couldn’t help but notice those who didn’t fit in for one reason or another—myself included. In life, and for my...

Nov 26, 2024 — In this tragicomic road movie about a Bible-selling con man and his precocious young charge, Peter Bogdanovich brings Depression-era America to vivid life without sentimentality or nostalgia.

Dec 26, 2018 — Members of the Criterion tech team headed to India last month to teach some practical skills in moving-image conservation at the Film Preservation & Restoration Workshop.

Oct 25, 2016 — On their way back to Mumbai, the filmmaking pair dropped in for a chat about their film The Cinema Travellers, which documents the last traveling-cinema exhibitors of the western Indian state of Maharashtra.

Feb 27, 2020 — Hong Sang-soo’s The Woman Who Ran and Philippe Garrel’s The Salt of Tears premiere in the festival’s main competition.

Jul 26, 2019 — Brought to harrowing life in this film adaptation, George Orwell’s dystopian vision continues to ring true today. But so does his belief in the power of love and hope to overthrow the darkness.

Nov 14, 2017 — Donna Deitch combined tropes of lesbian pulp romance with the sheen of mainstream filmmaking in her beloved debut feature.