The Criterion Collection
May 28, 2019 — Nadine Labaki’s jury has selected an eclectic range of award winners from this year’s program.
The Daily
May 27, 2019 — The awards have been presented, the red carpet rolled up, and now we can gather a little perspective on this year’s competition.
On the Channel
May 24, 2019 — From the delicate ennui of 2003’s Tokyo-set Lost in Translation through the languorously evoked nineteenth-century South of 2017’s The Beguiled, Oscar winner Sofia Coppola has, over the last two decades, established herself as one of contemporary cinema’s most stylistically adept and...
Interviews
May 22, 2019 — Cannes 2019 While politics has never been a stranger to the Cannes Film Festival lineup, this year’s offerings have proven to be even more charged than usual. And one of the more lively and notable premieres on the Croisette so...
May 21, 2019 — Claire Denis’s Let the Sunshine In (2017) is one of the great films about middle-aged loneliness, specifically—though not exclusively—as women feel it. It’s not a dating movie, though there’s dating in it. And it’s not a feeling-sorry-for-oneself movie, though there are...
On the Channel
May 20, 2019 — Professor David Bordwell unpacks the sophisticated design of Kenji Mizoguchi’s final masterpiece.
The Daily
May 19, 2019 — Critics are finding the young Russian director’s second feature to be bleak yet irresistibly masterful.
The Daily
May 18, 2019 — Diop’s debut fiction feature is a love story, a detective story, and a ghost story.
May 16, 2019 — All week long, writers have been reminding us that there was more to Doris Day than sweet sunshine.
The Daily
May 14, 2019 — The seventy-second edition will present new work by some of the world’s most renowned filmmakers.