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A Working Man

Jun 16, 2020 Buster Keaton’s last great film, The Cameraman (1928), is his love letter to the machine that makes movies possible. He plays a humble street photographer who is smitten with a pretty secretary and follows her back to the newsreel office...

March Books

The Daily

Mar 16, 2020 This month we’re reading about Helen Scott, a liaison between Paris and Hollywood; Anna Karina’s novels; William Faulkner’s screenplays; and more.

Oct 21, 2019 Songbook If you weren’t a devotee of the Cantopop world in the early 1990s, the casting of Faye Wong in Wong Kar-wai’s Chungking Express (1994) may not have caught your attention. Starring in her first major role, the singer looked...

Apr 15, 2019 She was known as “a professional innocent”—until Persona (1966) revealed a complex emotional intelligence.

Jan 18, 2019 Plaudits for Elaine May and Barbara Stanwyck, conversations with Elliott Gould and Bertrand Tavernier, and a rift between a filmmaker and his subject.

Jul 30, 2016 Art director Eric Skillman describes working with Jack on the design for our release of Stanley Kramer’s It’s a Mad, Mad, Mad, Mad World as one of the highlights of his career.

Jun 22, 2011 Theresa Russell is attracted to the very things that repel most actors. In 1976’s The Last Tycoon, her first movie (and Elia Kazan’s last), she is unafraid of seeming to do very little. Young actresses like to show you they...

Jun 22, 2026 Deep Dives In 1971, upon the release of his first and only feature film, James Bidgood pulled a disappearing act. He had spent the better part of seven years shooting Pink Narcissus, a hallucinatory tale of a daydreaming gay hustler, on...

Revisitations

The Daily

Jan 23, 2026 This week: Max Ophuls, Erich von Stroheim, David Lynch, the Biden years, and the best of 1935.

Jan 12, 2026 Let’s catch up with some of the most notable best-of-2025 listing and polling.

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