The Criterion Collection
On the Channel
Jul 25, 2017 — Chloë Sevigny took a step behind the camera with her directorial debut, Kitty, an adaptation of a Paul Bowles story about a shy young girl who finds herself transforming into a cat.
Jul 12, 2017 — In this interview from our box-set edition of Roberto Rossellini’s War Trilogy, Paolo and Vittorio Taviani recount their experience discovering these masterful depictions of World War II.
On the Channel
Jul 9, 2017 — A veteran of Japan’s legendary Shochiku studios, the versatile genre auteur Yoshitaro Nomura made his mark with a string of impeccably constructed thrillers. Five of his best are now available to stream on the Criterion Channel on FilmStruck.
Jul 7, 2017 — Canadian-born filmmaker Alison Maclean emigrated to New Zealand as a teenager and later attended Elam Art School in Auckland. After making Kitchen Sink (1989), still arguably the most successful short film to come out of New Zealand, and her debut...
Jun 14, 2017 — Jennifer Reeder constructs personal fiction films about relationships, trauma, and coping. Her award-winning narratives are innovative and draw from a range of forms and inspirations, including after-school specials, amateur music videos, and magical realism. These films have screened around the...
Jun 12, 2017 — Informed by his work in theater and his travels through rural America, Nicholas Ray brought an outsider’s perspective to genre filmmaking in his debut feature.
Visual Analysis
Jun 6, 2017 — The veteran documentary filmmaker behind Hoop Dreams and the recently released Abacus: Small Enough to Jail discusses the ways in which Robert Altman’s masterpiece combines epic scope with intimate detail.
Essays
Jun 1, 2017 — Suffused with a quiet radiance, this Kazakh New Wave masterpiece grapples with cultural displacement through an allegorical tale of vengeance.
May 30, 2017 — In his brilliantly inscrutable debut, Apichatpong Weerasethakul blends documentary authenticity with wild flights of imagination.
Essays
May 30, 2017 — Lino Brocka brought an invigoratingly personal and socially conscious vision to Philippine cinema with this gritty portrait of Manila barrio life.