The Up Series

Jul 18, 2019 — With its picturesque Provençal village, florid theatrical dialogue, and cast of familiar southern-French actors, dominated by the formidable Raimu, The Baker’s Wife is classic Marcel Pagnol territory. In 1938, when the film was released, the feted author and playwright was...

Apr 14, 2019 — In the Criterion Channel’s ongoing series Adventures in Moviegoing, we invite renowned artists to open up about their personal journeys as cinephiles, and also to guest-program a series of their favorite films, so they can share their movie love directly...

Dec 4, 2018 — Twelve episodic works and seventy-three shorts will premiere in Park City, while Rotterdam shines its spotlight on Parajanov and Godard.

Apr 12, 2018 — Nagisa Oshima followed up his succès de scandale In the Realm of the Senses with this Cannes award–winning ghost story, playing this week at the Austin Film Society.

Apr 10, 2018 — New York. A new 4K restoration of Liquid Sky opens at the Quad on Friday. “At last,” writes Alan Scherstuhl in the Village Voice, “after sitting out the DVD and streaming eras, Slava Tsukerman’s 1982 neon-fired New Wave New York...

Mar 14, 2018 — “How could I have written a longish book on 1940s Hollywood and have devoted so little space to Casablanca?” asks David Bordwell. The book is Reinventing Hollywood: How 1940s Filmmakers Changed Movie Storytelling, and “I suppose I neglected Warners’ evergreen...

Mar 8, 2018 — “The cinephiles attending the twenty-third edition of Rendez-Vous With French Cinema at the Film Society of Lincoln Center this year may relate a little too hard to Jean-Paul Civeyrac’s new film, A Paris Education, about a movie-obsessed young man named...

Mar 1, 2018 — This year’s edition of the True/False Film Fest opens today in Columbia, Missouri and runs through Sunday. “The festival focuses on nonfiction films, though True/False’s definition of the term is intentionally porous,” writes Aarik Danielsen during the course of his...

Feb 25, 2018 — “James Baldwin and Karl Marx—the subjects of my two most recent films—were my two primary teachers; each in his own way taught me how to think, how to be, how to engage,” writes Raoul Peck, director of I Am Not...

Jan 21, 2018 — “Filmed entirely within an emergency call center, Danish director Gustav Möller’s The Guilty (Den skyldige) is a claustrophobic thriller that finds fascinating ways to transcend, spiritually, its confines,” begins Bilge Ebiri in the Village Voice. “Pretty much the whole film...