The Criterion Collection
Essays
Oct 30, 2014 — Tati’s witty visual comedy also functioned as satire of a rapidly modernizing postwar France.
Oct 28, 2014 — What you hear is as crucial—and as funny—as what you see in Tati’s films.
Oct 27, 2014 — Though he emerged from established stage and screen comedy traditions, Tati invented a completely new filmic language.
Features
Oct 2, 2014 — The following is a chapter on The Innocents from cinematographer Freddie Francis’s memoir, The Straight Story from “Moby Dick” to “Glory.” It is reproduced here courtesy of Scarecrow Press. The last picture I worked on as a cinematographer in my...
Oct 2, 2014 — People struggle to escape their socially dictated roles in Rainer Werner Fassbinder’s moving, Douglas Sirk–inspired melodrama.
Essays
Sep 24, 2014 — Roman Polanski’s dark vision is the perfect fit for Shakespeare’s grim tale of treachery and ambition.
Interviews
Sep 16, 2014 — The following interview is from filmmaker and writer Chris Rodley’s 1997 book Lynch on Lynch. The interviews in the book were conducted by Rodley between January 1993 and December 1996. Eraserhead took five years to complete. You must have been...
Essays
Aug 25, 2014 — Love and death tango in Bob Fosse’s glittering ode to his own mortality.
Aug 19, 2014 — Alfonso Cuaron, a filmmaker congenitally allergic to creative constriction, made his most liberated movie with this erotic, moving, often funny threesome tale.
Aug 18, 2014 — The filmmaker and critic discuss the pleasures and provocations of the Spanish auteur’s work.