The Criterion Collection
Short Takes
Dec 18, 2012 — With the stage musical Les Misérables coming to the big screen in one of Hollywood’s most anticipated releases of the holiday season, it seemed a good time to remind you about Raymond Bernard’s extraordinary 1934 cinematic adaptation of Victor Hugo’s...
Essays
Dec 12, 2012 — Even with limited resources, Christopher Nolan proved a force to be reckoned with in his thrilling, auspicious debut.
Dec 5, 2012 — The following is excerpted from an interview that originally appeared in the February 1, 1981, issue of L’avant-scène: Cinéma. It was conducted by Olivier Eyquem and Jean-Claude Missiaen. Eyquem is a documentalist and former staff member at Positif; he blogs...
Dec 4, 2012 — Misunderstood by Hollywood, embraced by critics, this fatalistic fantasy remains Terry Gilliam’s ultimate trip.
Nov 20, 2012 — Michael Cimino’s visionary western is a superbly realized account of a shocking real American tragedy.
Sep 26, 2012 — Countercultural icons Paul Bartel and Mary Woronov makes square subversive in Bartel’s cult classic.
Essays
Sep 25, 2012 — No mere jigsaw movie, David Fincher’s thriller is also a nuanced character study, a satire of corporate culture, and a film about filmmaking.
Sep 19, 2012 — Marcel Carné’s tale of love and devilry in medieval France was a sensation during the German occupation.
Sep 18, 2012 — Marcel Carné’s theatrical spectacle set in early nineteenth-century Paris is an operatic work about passion and artifice.
Sep 4, 2012 — Umberto D. is perhaps the most astringent film ever made about a poor old man and his dog. Critics today tend to like the astringent parts: the long, deliberately undramatic sequences full of mundane activity (such as a housemaid’s morning...