The Criterion Collection
The Daily
Jul 25, 2022 — TIFF 2022 lines up eight titles, including Steven Spielberg’s The Fabelmans.
Jul 22, 2022 — Entwined with the evolution of American culture, boxing movies have used the microcosm of the ring to tackle issues of race, class, gender, and labor.
Jul 20, 2022 — A brutal critique of the American dream, Carl Franklin’s 1995 thriller explicitly confronts the racialized implications of classic film noir.
The Daily
Jul 19, 2022 — Our midsummer books roundup opens with one sharp critique and one celebration of American popular culture.
Essays
Jul 19, 2022 — Centered on a grieving theater director and his driver, Ryusuke Hamaguchi’s Oscar-winning drama is a quiet meditation on the mysteries of communication, the flexibility of truth, and the search for honesty.
Jul 15, 2022 — In her last significant film role, the art-house icon reveals an emotional vulnerability previously hidden by her ethereal persona.
The Daily
Jul 14, 2022 — A quick overview of the latest news from Venice, Bologna, Marseille, and Sarajevo.
Jul 13, 2022 — Stylistically informed by film noir, Martin Scorsese’s searing drama plumbs male violence and rage through a boxing champ’s self-destruction.
Jul 13, 2022 — Martin Scorsese’s long-gestating boxing opus—one of the last films on which he enjoyed unequivocal studio support—emerged from a Hollywood in transition.
The Daily
Jul 13, 2022 — With a new book, an exhibition, and a film series, writer and curator Ekow Eshun celebrates Black speculative art and fiction.