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Sep 8, 2017 — “Argentinian first-timer Natalia Garagiola’s Hunting Season, a father-son drama set in the wilds of Patagonia, is the winner of the Venice Film Festival’s Critics’ Week prize,” announces Variety’s Nick Vivarelli. The prize, chosen by the festival audience, goes to a...

Sep 8, 2017 — Right on the heels of his report on this years Venice International Critics Week awards comes Variety’s Nick Vivarelli once again with news from the other independently run program, Venice Days. “Colombian new wave producer-director Jhonny Hendrix Hinestroza’s Candelaria, a...

Sep 6, 2017 — “Murray Lerner, a seminal music documentary filmmaker of the 60s and 70s, has died at age 90 in New York City,” reports Paula Parisi for Variety. “Lerner won an Oscar for best documentary in 1981 for From Mozart to Mao:...

Sep 5, 2017 — Frederick Wiseman “is 87 now,” as Tom Charity notes in the new issue of Cinema Scope. “It may be a little presumptuous to suggest he’s reaching for a summation, but it is sure that he’s only making the films he...

Sep 4, 2017 — “Greta Gerwig didn’t get much sleep leading up to the Friday premiere of her directorial debut, the coming-of-age dramedy Lady Bird, at the Telluride Film Festival,” writes Josh Rottenberg, introducing his interview with the filmmaker for the Los Angeles Times....

Sep 4, 2017 — “Lebanon director Samuel Maoz went in a risky direction by making a film as different and daring as Foxtrot,” writes Jay Weissberg for Variety, “and his boldness pays off in ways that make one reach for superlatives. Not content to...

Sep 1, 2017 — “British filmmaker Andrew Haigh (Weekend, 45 Years) hits the American highway for this touching, if slightly underwhelming, tale of a troubled boy who strikes up a rapport with an ailing racehorse called Lean on Pete,” begins Time Out’s Dave Calhoun....

Aug 31, 2017 — Guillermo del Toro’s The Shape of Water, premiering in Competition in Venice and screening as a Special Presentation in Toronto, is a “ravishing, eccentric auteur’s imagining, spilling artistry, empathy and sensuality from every open pore, [offering] more straight-up movie for...

Aug 30, 2017 — “Can there be any clearer signal of reality warping as we hurtle toward imminent apocalypse than the fact that Alexander Payne has made a life-affirming film?” asks Jessica Kiang at the Playlist. “Venice opener Downsizing takes the long road getting...

Aug 28, 2017 — Over the course of his three-decade writing career, Pulitzer Prize winner Michael Cunningham has had multiple occasions to observe how the worlds of literature and cinema collide. As one of American fiction’s most acclaimed authors, he’s helped to bring two...