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And at Last

Sep 25, 2013 Roberto Rossellini’s tale of modern sainthood demonstrates the importance of opening oneself to the wider world.

Sep 4, 2013 Only Ernst Lubitsch got the great comedian to be as funny on the big screen as he was on the radio.

Aug 5, 2013 For those of us who rank The Earrings of Madame de . . . at the top of our list of all-time favorite films, the mystery is why our passion isn’t universally shared. Every year, thanks to committed revival houses,...

May 13, 2013 Delmer Daves’s visually majestic, emotionally charged western finds its drama in the decency of its characters.

Mar 29, 2013 Dear Criterion collectors, We wanted to let you know that the following titles are going out of print effective March 31: Army of Shadows Le cercle rouge Le doulos Last Year at Marienbad Léon Morin, Priest Mafioso We have limited...

Mar 18, 2013 Using a 1958 murder spree as a narrative springboard, Terrence Malick fashioned a fractured fairy tale about American innocence lost.

Jan 15, 2013 Despite the acclaim, Volker Schlöndorff always felt his adaptation of Günter Grass’s novel was incomplete. Thirty years later, he set to work on his director’s cut.

Dec 12, 2012 Even with limited resources, Christopher Nolan proved a force to be reckoned with in his thrilling, auspicious debut.

Dec 5, 2012 The following is excerpted from an interview that originally appeared in the February 1, 1981, issue of L’avant-scène: Cinéma. It was conducted by Olivier Eyquem and Jean-Claude Missiaen. Eyquem is a documentalist and former staff member at Positif; he blogs...

Nov 6, 2012 When Akira Kurosawa made Rashomon (1950), he was a forty-year-old director working near the beginning of a career that would last fifty years, produce some of the greatest films ever made, and exert a tremendous and lasting influence on filmmaking...

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