The Criterion Collection
Nov 25, 2016 — In his deeply personal third feature, Noah Baumbach charts a family’s dissolution against the backdrop of 1980s literary Brooklyn.
On the Channel
Nov 25, 2016 — Just in time for Black Friday, two cinematic masters playfully pillory consumerism for our weekly double feature: Yasujiro Ozu’s Good Morning (1959) and Jacques Tati's Mon oncle (1958). But these wildly different virtuosos mount opposite attacks, Ozu sweetly funny in...
Nov 18, 2016 — For Film Comment, Marc Walkow surveys the career of director Tomu Uchida, currently the subject of a retrospective at the Museum of Modern Art. Like many commercial Japanese directors of his era, Uchida has long been underappreciated in the West,...
Nov 15, 2016 — Akira Kurosawa lays bare his deepest fears in this visually astonishing interpretation of folklore, myth, and the director’s own dreams and memories.
In Theaters
Nov 14, 2016 — Aaron Brookner’s critically acclaimed new documentary Uncle Howard, which features previously unseen footage from Howard Brookner’s 1983 Burroughs: The Movie, opens theatrically at New York’s IFC Center.
Short Takes
Nov 14, 2016 — From the delicate natural lighting in Jacques Demy’s Lola to the breathtaking widescreen Technicolor in Jean-Luc Godard’s Pierrot le fou, the late cinematographer Raoul Coutard’s most indelible images remain hallmarks of modern French cinema. In his memory, we’ve gathered a...
Nov 14, 2016 — For his first foray into romantic comedy, Paul Thomas Anderson worked closely with Jon Brion on a score that combines melodic orchestration with startling dissonance.
On the Channel
Nov 11, 2016 — This week’s Friday Night Double Feature on the Criterion Channel demonstrates how much suspense a superb director can wring from an intriguing premise without resorting to yelling “boo!” or splashing gore.
Nov 8, 2016 — This adaptation of one of the most influential series in manga history is a delirious mix of breathtaking swordplay and pop vulgarity.
Nov 4, 2016 — Did You See This? The November/December issue of Film Comment has arrived, and the highlights include Mark Harris on queer representation in contemporary cinema, Violet Lucca on the power of digital VFX software, and Eric Hynes on the forty-year history of the...