The Criterion Collection
Essays
May 27, 2020 — In John Cassavetes’s Husbands, the director, Ben Gazzara, and Peter Falk play Gus, Harry, and Archie, three middle-aged, middle-class suburbanites who come together at the funeral of their close mutual friend Stuart, and, united in grief, commence drinking together. And...
Essays
May 27, 2020 — “A filmmaker shows what his career will be in his first 150 feet of film,” François Truffaut once wrote. He was talking about Jean Vigo at the time, but he might as well have been talking about Martin Scorsese, whose...
The Daily
May 27, 2020 — Twenty-one festivals from around the world contribute to the eclectic lineup of the free We Are One: A Global Film Festival.
The Daily
May 26, 2020 — Karina Longworth’s podcast You Must Remember This returns with a season devoted to the unjustly unheralded producer, production designer, and writer.
The Daily
May 18, 2020 — The beloved stalwart of the Seattle filmmaking community and accomplished director of high-profile television series was only fifty-four.
The Daily
May 13, 2020 — Olivier Assayas, Sofia Coppola, and Paul Verhoeven have long-form serial narratives in the works.
Essays
May 12, 2020 — In the early 1950s, director John Sturges, then under contract at MGM, read a condensed version of Paul Brickhill’s memoir The Great Escape, which details the mass escape of downed fighter pilots from the German prisoner-of-war camp Stalag Luft III...
May 11, 2020 — One Scene Over the course of four features and several shorts, Brooklyn-based documentary filmmaker Matt Wolf has mined the histories hidden in archives, stitching together a rich and complicated view of twentieth-century America. He’s drawn to subjects that are misunderstood...
May 8, 2020 — The opening and closing credits in a film are a form of housekeeping, fulfilling a legal obligation to compile the names of cast and crew who made the final product possible. Visionary designer Saul Bass saw the aesthetic potential in...