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Feb 19, 2018 Jonathan Demme put an uncompromisingly feminist spin on the law-enforcement procedural with this wildly successful, Oscar-winning drama.

Feb 18, 2018 Christian Petzold seems to realize that viewers are going to feel as if they’ll need a few moments to get their bearings in the world of Transit. In one swift and brilliant stroke, he denies us the luxury. Georg (Franz...

Feb 15, 2018 Think of The Grand Budapest Hotel (2014) and pink pastels, purple uniforms, and the occasional splash of red may come to mind, offset by the ochres and faded wood grains of the scenes that frame the main story. Moonrise Kingdom...

Feb 14, 2018 With her acclaimed new film Western opening in theaters this week, we spoke with German director Valeska Grisebach on the romantic ideals of the quintessential American genre.

Feb 14, 2018 Until the Oscars are presented on March 4, it’s not yet too late to be looking back at the best of 2017. The Village Voice has polled over a hundred critics, and Phantom Thread has come out on top with...

Feb 13, 2018 With the scrappiest of means, George A. Romero created not only a landmark of independent cinema but also an indelible portrait of America as hellscape.

Feb 9, 2018 Catching up with notable recent interviews, we naturally have to begin with the one that’s sparked so much crossfire for a full week now. Last October, Uma Thurman declined to comment on the #MeToo movement because “when I have spoken...

Feb 8, 2018 “Is there a full-length feature film in the dramatic but blink-and-it’s-over incident of three young Americans subduing a heavily armed terrorist determined to kill as many people as possible on a Paris-bound fast train two years ago?” asks the Hollywood...

Feb 7, 2018 Looks like we all missed it. Most of us, anyway. Way back, December 27, Craig Hlavaty reported for the Houston Chronicle that Richard Linklater has been working on a film set in the summer of 1969. And not even quietly....

Feb 6, 2018 A key collaborator on Michael Ritchie’s Downhill Racer and the creator of two Olympic films, Joe Jay Jalbert chats with us about the art of capturing skiing on-screen.

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