The Criterion Collection
Nov 5, 2021 — A teenage girl looks on with both envy and disapproval as her mother shimmies on the dance floor in the arms of a lover. “Beautiful,” observes a friend. “I know,” says the daughter, bitterly, before falling asleep in her nanny’s...
The Daily
Aug 30, 2021 — As the fifty-fifth edition wrapped over the weekend, Stefan Arsenijević’s As Far as I Can Walk took three prizes.
Features
Apr 21, 2021 — First Person The first time I saw Terence Davies’s 1992 film The Long Day Closes, I was upended by a recurring image of the sensitive Liverpool lad at its heart, his arms folded across a worn window ledge as he...
Nov 2, 2020 — Two decades before his inspired turn in Parasite (2019) as a chiseling patriarch—The Man With No Plan—Song Kang-ho became a symbol of new wave South Korean cinema by starring in a pair of iconic films as the movement was beginning...
The Daily
Oct 14, 2020 — The first raves are in, but we’ll have to wait until Christmas Day to see it.
Jun 16, 2020 — Buster Keaton’s last great film, The Cameraman (1928), is his love letter to the machine that makes movies possible. He plays a humble street photographer who is smitten with a pretty secretary and follows her back to the newsreel office...
The Daily
Feb 24, 2020 — The German director reunites with Transit’s Paula Beer and Franz Rogowski for his Berlinale competition entry.
The Daily
Feb 7, 2020 — Retrospectives of the German filmmaker’s work precede the release of I Was at Home, But . . . (2019)
The Daily
Jan 9, 2020 — MoMA presents an eclectic selection of new restorations and discoveries from around the world.
The Daily
Nov 29, 2019 — The BBC polls 368 critics and programmers to come up with a list of the greatest films directed by women—plus more of the best of the 2010s and 2019.