We Can Do That

Jan 5, 2006 — A gray flannel ghost story in which the living haunt the dead, the least appreciated of Akira Kurosawa’s midperiod collaborations with Toshiro Mifune throws open the windows of Japanese corporate corruption.

Dec 6, 2004 — It’s hard to believe that M was made in 1931. If we allow for the fact that it’s in black and white, it is more engaging to the eye, more incisive in its irony, more firm in its grasp of...

Jul 19, 2004 — Marcel Carné's third feature is as epochal as any film made in France in the 1930s, exemplifying the style known as “poetic realism.”

Nov 11, 2002 — A second Monterey International Pop Festival has for the past month been put in jeopardy by a vicious handful of citizens, cops, and city officials in a small-town drama straight from Peyton Place and The Invaders.

Aug 14, 2023 — Defying pressure from Iran, Locarno didn’t just screen Ali Ahmadzadeh’s Critical Zone; the festival also gave it its top award.

Sep 18, 2006 — Nobuo Nakagawa’s legendary, genre-­busting Japanese masterpiece explores the infernal desires that tempt us during our mortal existence—and the afterlife agonies awaiting those who succumb.

Aug 6, 2025 — The festival selects thirty-four features including world premieres and the best from Sundance, Berlin, Cannes, Venice, and Toronto.

Mar 18, 2025 — In what he described as his “first serious drama,” Charlie Chaplin channeled the influence of modernist literature, foreign cinema, and his European travels into a work of striking formal sophistication.

Mar 6, 2023 — The Daniels’ juggernaut has won seven top Indie Spirit Awards and swept the major guilds.

Oct 12, 2021 — In Raoul Walsh’s elegy for the Depression-era archetype of the noble outlaw, Humphrey Bogart plays an old-fashioned desperado who has outlived his time.