Jun 4, 2001 Mad with images of nature in rebellion, Luis Buñuel’s 1964 film is a droll vision of Eden during the Fall starring a sumptuous Jeanne Moreau.

Playtime

Essays

Jun 3, 2001 Jacques Tati’s singular satire is a series of giddy encounters between people and things in which the wonders of “modern life” relinquish their functionality in favor of an unaccountably rapturous beauty.

May 12, 2001 Bertrand Tavernier’s adaptation is the story of a saintly madman in a world where the concepts of good and evil have no meaning.

May 7, 2001 test

Apr 23, 2001 A majestic synthesis of disparate forms, Sergei Eisenstein’s final film seems to be as much a ballet or a moving painting as it is a movie.

Spartacus

Essays

Apr 23, 2001 Of all the actors to try their hand at producing, Kirk Douglas may have been the most audacious. Spartacus illustrates his taste for unorthodox material, and the story behind the making of the movie reveals a great deal about Douglas’...

Jan 29, 2001 Invisible monsters suck out your brains! And that’s just for starters.

Sisters

Essays

Oct 2, 2000 The most important of Brian De Palma’s earlier features, Greetings (1968) and Hi, Mom! (1970), resist the commodification of entertainment while charting the development of Jon Rubin (Robert De Niro) from voyeur to filmmaker to urban guerilla. If pictures like...

Sep 18, 2000 Drenched in mud and rain, Lars von Trier’s breakthrough film inhabits a true twilight zone, bereft of heroes and integrity.

Apr 24, 2000 PREFACE Aman who dozes, his mouth half open, in front of a wood fire, lets slip some secrets from that night of the human body that is called the soul, over which he is no longer master. The sentry of...

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