The Criterion Collection
The Daily
Oct 19, 2018 — Here’s a taste of what the critics have been saying about the nominees.
Oct 18, 2018 — Separated by more than a decade in Ingmar Bergman’s filmography, these two formally masterful dramas uncover the ugliness of male aggression and brutality.
Oct 17, 2018 — A public-television commission intended to raise class consciousness, Eight Hours Don’t Make a Day inspired heated debates about its political orientation.
Essays
Oct 16, 2018 — Seen as a light-hearted farce upon its release, this star-studded comedy by Hal Ashby stands as one of Hollywood’s most prescient portraits of post-Watergate politics.
The Daily
Sep 8, 2018 — The star of over a hundred movies wielded his laid-back charisma to conquer the box office throughout the 1970s.
On the Channel
Sep 5, 2018 — It took a while for Paul Feig—the director behind such smash-hit comedies as Bridesmaids and Spy—to come around to the darker side of cinema. Back in his college days, the filmmaker appreciated the superior technique of the dramas and foreign films he saw in his...
The Daily
Aug 24, 2018 — Film Studies for Free turns ten, BlacKkKlansman sparks debate—and more.
Features
Aug 9, 2018 — An annual destination for cinephiles from around the world, this film festival in Bologna is a magical place to discover the richness of cinema’s past.
The Daily
Aug 8, 2018 — New films by Karyn Kusama, Alex Ross Perry, and Benjamín Naishtat will compete in the Platform program.
The Daily
Jul 25, 2018 — And Orson Welles’s The Other Side of the Wind will finally see the light of day.