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Aug 16, 2016 — Stig Björkman’s candid documentary gathers a wealth of material from Ingrid Bergman’s personal archive, revealing the star as a fastidious collector of her own memories.

Aug 14, 2016 — While considered to lie outside the highly policed boundaries of film noir, films like Douglas Sirk’s Written on the Wind and Powell and Pressburger’s The Red Shoes nevertheless share many of noir’s stylistic and thematic tropes.

Aug 5, 2016 — The director returns to the big screen with our new restoration of his long-unavailable sophomore feature, shot in 1970 on a shoestring budget, which kicks off its national theatrical rollout with a run at New York’s IFC Center.

Jul 30, 2016 — Art director Eric Skillman describes working with Jack on the design for our release of Stanley Kramer’s It’s a Mad, Mad, Mad, Mad World as one of the highlights of his career.

Jul 25, 2016 — In his masterful reimagining of the story of John Smith and Pocahontas, Terrence Malick meditates on the nature of beauty and America’s path from innocence to experience.

Jul 20, 2016 — In his staggeringly ambitious masterwork A Touch of Zen, Chinese filmmaker King Hu imbues dynamic scenes of combat with balletic grace and audacious stylistic experimentation.

Jul 19, 2016 — Time is both inescapable and irretrievable in Alain Resnais’s boldly disorienting masterpiece, which stars Delphine Seyrig as a widow haunted by her memories of World War II.

Jul 14, 2016 — On what would have been the director’s ninety-eighth birthday, we revisit a selection of essays, photo galleries, and videos that explore his iconic oeuvre.

Jul 11, 2016 — In anticipation of a retrospective tribute to the collaborations of Rowlands and filmmaker John Cassavetes, we look at a candid conversation with the actor.

Jul 7, 2016 — In honor of the director, we look back at his quintessentially American narratives.