The Criterion Collection
Aug 18, 2003 — One of the Swedish director’s most representative works, this drama’s portentousness, banked intensity, and recondite symbolism come near to embodying the popular stereotype of the Bergmanesque.
Jun 23, 2003 — A very brief history of the seminal documentary by Alain Resnais
Apr 28, 2003 — François Truffaut’s third Antoine Doinel installment is a perpetual juggling act by which harsh truths are disguised as light jokes.
Mar 18, 2003 — Director William Dieterle’s 1941 film adaptation of Stephen Vincent Benét’s short story “The Devil and Daniel Webster” is a melodramatic fever dream, a hallucinatory tour de force.
Essays
Feb 11, 2002 — The phenomenon of old age wherein childhood memories return with ever-increasing clarity while great stretches of the prime of life vanish into obscurity is the nub of Ingmar Bergman’s drama.
Oct 15, 2001 — The French director’s crime film conveys both the flow and the form of the prison experience.
Essays
Sep 17, 2001 — George Sluizer’s nightmarish film is a study in everyday madness, rooted in the specifics of the Dutch and French landscapes and character.
Aug 20, 2001 — Before Lars von Trier, Krzysztof Kieslowski, Andrei Tarkovsky, Ingmar Bergman, Robert Bresson there was Carl Th. Dreyer. The first great film artist to pursue the ineffable in cinema, Dreyer gave depth to what early silent filmmakers innately understood yet took...
Jul 9, 2001 — John Schlesinger’s classic is an exuberant satire of a society caught between its old ways and the urge to modernize.