The Criterion Collection
Essays
Dec 11, 1989 — Previous rock-and-roll movies had been little more than showcases for the latest music, aimed at exploiting the youth market, cheaply made and melodramatic—then along came one of the most finely crafted films ever made about rock-and-roll.
Jan 29, 2026 — A resounding critical and popular success upon its release, Héctor Babenco’s adaptation of a literary masterpiece by Manuel Puig was an unprecedented cinematic fusion of a radical politics of sex with a sexual politics of revolution.
The Daily
Jan 12, 2026 — Let’s catch up with some of the most notable best-of-2025 listing and polling.
Jan 6, 2025 — Sunday night’s big winners include The Brutalist, Emilia Pérez, and Flow.
The Daily
Jul 30, 2024 — Tsai Ming-liang and Lee Kang-sheng will be on hand for a fourteen-film American Cinematheque retrospective.
The Daily
Apr 1, 2024 — The show may be “resolutely low-risk” overall, but for many, the standouts are film and video works.
The Daily
Feb 9, 2024 — We’re taking Black History Month viewing recommendations, listening to Peter Bogdanovich’s podcast, and reading about London critics’ favorites.
The Daily
Jun 30, 2023 — This week’s highlights include conversations with Boots Riley and Lucrecia Martel and a new triple issue of Offscreen.
The Daily
May 24, 2023 — Two of Cannes’s favorite directors, Aki Kaurismäki and Wes Anderson, return to the competition.
The Daily
Jan 9, 2023 — We gather some of the best recent writing on the National Society of Film Critics’s choices for the best films of 2022.