The Criterion Collection
Aug 29, 2018 — Philadelphia native Jeremiah Zagar’s first feature-length film, the documentary In a Dream (2008), premiered at the SXSW Film Festival and screened theatrically across the U.S. and in film festivals around the world. It was broadcast on HBO, shortlisted for an...
May 3, 2018 — Sebastián Lelio is a Chilean filmmaker based in Berlin. His fifth feature film, A Fantastic Woman, won the 2018 Academy Award for best foreign-language film and the Independent Spirit Award for best international film. It premiered in main competition at...
Oct 26, 2017 — Jonas Carpignano was born in 1984 and grew up in New York City and Rome. His first feature film, Mediterranea, debuted at the Cannes Film Festival—Semaine de la Critique in 2015 before receiving the award for the best directorial debut...
Aug 26, 2015 — Filmmaker Keith Gordon has directed the features The Chocolate War (1988), A Midnight Clear (1992), Mother Night (1996), Waking the Dead (2000), and The Singing Detective (2003), along with multiple episodes of the series Fargo, Homeland, The Leftovers, The Killing,...
Essays
Dec 31, 2000 — Those who felt that Scandinavian cinema had passed into retirement along with Ingmar Bergman should be startled by Insomnia. This immaculately constructed psychological thriller sets a benchmark for other Scandinavian directors to match, and is one of the most unusual...
Sep 22, 1997 — The English Patient was the ?rst book of Michael Ondaatje’s I had read, and I thought it was remarkable.Two weeks after ?nishing the novel, Anthony Minghella telephoned from London and asked, “How could we do this as a movie?” Being...
The legendary actor and director stopped by for a brief visit to the Criterion Closet, where he shared some of his Italian-cinema favorites and talked about his experience working with Agnès Varda.
The writer and director returns to the Criterion Closet, where he talks about the infectious energy of Night and the City, shares why Beau travail and Cold Water were transformative works for independent filmmakers in the 1990s, and praises the...
The Criterion Closet’s very first guest stops by the Mobile Closet at the Toronto International Film Festival, where he examines the technical brilliance of a scene in Notorious, shares why he feels a kinship with Wes Anderson, and talks about...
The writer and director returns to the Criterion Closet, where he pays tribute to David Lynch, praises Mikey and Nicky as a perfect collaboration between a director and actors, and reminisces about watching Persona in Ingmar Bergman’s theater on Fårö...