The Watch

May 18, 2010 — Nicolas Roeg’s first solo outing as a director is an astonishing visual poem, by turns violent, innocent, and elegiac.

Mar 16, 2010 — More than a decade after his death in 1997, the moment is right for the rediscovery of the work of Marco Ferreri. “I think he’s modern. More than modern, in fact,” frequent collaborator Marcello Mastroianni once remarked, encapsulating how far...

Oct 21, 2008 — TECHNICOLOR, ROME—What a day! After spending the morning with Antonio Salvatori, the original color timer on Rosi’s The Moment of Truth and Antonioni’s Identification of a Woman, we were lucky enough to run into the great master Giuseppe Rotunno, who...

Aug 14, 2006 — “Some people think rohmer is in league with the devil,” wrote cinematographer Nestor Almendros in his book of autobiographical reflections on the cinema, A Man with a Camera. He was describing his working experience on My Night at Maud’s (1969)....

Oct 2, 2000 — The most important of Brian De Palma’s earlier features, Greetings (1968) and Hi, Mom! (1970), resist the commodification of entertainment while charting the development of Jon Rubin (Robert De Niro) from voyeur to filmmaker to urban guerilla. If pictures like...

Jun 24, 2014 — In 1964, Richard Lester harnessed the Beatles’ exploding superstardom for a giddy day-in-the-life pop masterpiece.

Jul 6, 2016 — Alan Arkin is an actor, director, writer, and musician. He has been watching movies from around the globe since he was seven years old. Here are ten of his favorites.

The performer and author sings (literally) the praises of the Tootsie score, talks about Barbra Streisand as a “North Star for anyone unconventional trying to make it in show business,” and shares the moving experience of watching My Beautiful Laundrette...

The actor reminisces about watching Crossing Delancey with her grandparents, selects Godzilla vs. Biollante to share with her son, and shouts out performers she loves, including Harry Dean Stanton and Barbara Loden.

The director and producer reminisces about the emotional impact of his early moviegoing experiences, shares his passion for the films of Federico Fellini, and talks about the profound thrill of watching Steve McQueen’s Hunger and Wim Wenders’ Pina for the...