The Criterion Collection
Feb 14, 2002 — Robert Bresson’s second feature is fixed in history as one of the movies that heralded an austere, modernistic way of seeing and feeling.
Essays
Jan 21, 2002 — A fresco conceived on a majestic scale, Marcel Carné’s masterpiece sweeps its audience back to the 1820s, painting the detail of a world obsessed with both theater and crime.
Nov 19, 2001 — Alfred Hitchcock’s first film in Hollywood is his earliest definitive statement on male domination and female subjugation.
Nov 19, 2001 — Luis Buñuel’s drama is a seductive work that exemplifies, even as it studies, the perversity of human desire.
Essays
Oct 15, 2001 — Preston Sturges’s beloved comedy provides insights into the way Hollywood formulas work on us.
Aug 20, 2001 — Before Lars von Trier, Krzysztof Kieslowski, Andrei Tarkovsky, Ingmar Bergman, Robert Bresson there was Carl Th. Dreyer. The first great film artist to pursue the ineffable in cinema, Dreyer gave depth to what early silent filmmakers innately understood yet took...
Essays
Aug 20, 2001 — Preston Sturges’s generous-hearted satire achieves a synthesis that is both terribly funny and deeply moving.
Essays
Jul 9, 2001 — With its dunderhead millionaires, erudite bums, effulgently dysfunctional families, and beneficent providence, My Man Godfrey is the Depression comedy par excellence. It is also, superficially at least, a movie about the Depression. A suicidal millionaire regains his zest for living...
Essays
Jun 18, 2001 — Pent-up, unfulfilled sexuality spills onto the screen in Douglas Sirk’s sumptuous melodrama.