The Criterion Collection
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Apr 8, 2021 — An eighty-year-old widow defies the engines of progress in Lemohang Jeremiah Mosese’s latest feature.
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Mar 31, 2021 — The Austrian Film Museum and Punto de Vista celebrate one of the most influential programmers in the history of cinema.
Mar 26, 2021 — In her hypnotic, uncategorizable films, the director serves as a channel for images that emerge from deep within her unconscious.
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Mar 24, 2021 — Some of the most exciting new nonfiction work from around the world will be showcased in the coming weeks.
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Mar 16, 2021 — Calls for greater diversity in the Academy’s membership that began with the #OscarsSoWhite campaign have finally begun to bear fruit.
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Mar 9, 2021 — Stanley Kubrick’s lost-and-found Lunatic at Large and Michelangelo Antonioni’s Technically Sweet are back in the works.
Mar 8, 2021 — Son of avant-garde filmmaker Ken Jacobs, Azazel Jacobs was raised in lower Manhattan surrounded by artists. He received his bachelor’s degree in film from SUNY Purchase and his master’s from the American Film Institute. His credits include The Good Times...
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Mar 4, 2021 — Andreas Fontana’s Azor and Ramon and Silvan Zürcher’s The Girl and the Spider are competing in the Encounters program at the Berlinale.
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Feb 19, 2021 — This week’s round takes us from Italy in the 1950s and ’60s to America in the ’70s and Hong Kong in the ’90s.
Feb 11, 2021 — Lili Horvát was born in 1982 and grew up in Budapest. She studied audiovisual arts at the Sorbonne Nouvelle in Paris and film directing at the University of Theatre and Film in Budapest. The Wednesday Child, Lili’s first feature, won...