The Criterion Collection
Features
Jun 4, 2019 — The great Hollywood portrait photographs are like close-ups that never end. Cinema is an art of faces, and the chance to gaze at them, to get lost in them, may be the deepest thrill movies offer. In the darkness of...
Features
May 31, 2019 — Cannes 2019 Cannes has been top dog in the festival world as long as anyone can remember. It was originally set to launch in 1939 as a conscious political reply by liberal democracy to the success of Mussolini in establishing...
On the Channel
May 31, 2019 — Channel Calendars The Man Who Fell to Earth (1976) It’s vacation season, and we have a month of exciting journeys for you on the Criterion Channel. Get ready to travel through Europe with Ingrid Bergman, get lost in the enigmatic...
Interviews
May 29, 2019 — In Anna Biller’s vibrantly colored fantasias, there’s not a glimmer of a sequin that hasn’t been envisioned by the artist herself. A writer, director, actor, producer, editor, composer, costume and production designer, and set decorator, she’s a one-woman studio, building...
The Daily
May 27, 2019 — The awards have been presented, the red carpet rolled up, and now we can gather a little perspective on this year’s competition.
The Daily
May 20, 2019 — For many, the semi-autobiographical film is one of Almodóvar’s best in years.
The Daily
May 17, 2019 — Ly’s fiery fiction feature debut alludes not only to Hugo but also to Fuqua, Kassovitz, and Spike Lee.
The Daily
May 16, 2019 — Within a brisk seventy-seven minutes, Dupieux and Jean Dujardin escort us into the mind of a potential psychopath.
May 7, 2019 — “The emotion and conflict between two people in a drawing room can be as exciting as a gun battle, and possibly more exciting,” wrote William Wyler on the release of his film The Heiress in 1949. This tenet is fully borne out...
The Daily
May 3, 2019 — BAM’s Black 90s series, Nina Menkes, a poet, Avengers, and a list of the top films of the 2010s are among this week’s highlights.